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When you do that, there's no going back. It's like over-cooking a steak. Too late, once it's baked. So be careful here. This rule of thumb? Less is more. When you have to ask yourself "Does this need more form a contrast?," then you're done. Cease! But I do a step first, and it does adjust this contrast as a side effect. You will not ever hear about this in any portrait digital photography course or book. Goods fact, they will ("they", being this "experts") likely frown upon this measure. Try it anyhow. We do, on every sinlgle image we develop. And that's a lot of images. Here it is: In Photoshop go to Filter/Sharpen/Unsharp cover up. Apply the following settings: Quantity 60 Radius 20 Patience 0. See how it takes away the haze? Cool uh? And it just beefs the image up somewhat. Now this filter is also utilized to sharpen image, but this step is not a sharpening step. Program the de-fog step.Enhance the skin color: For all you nature and beautiful photographers this step may not submit an application. But try it anyhow, it may well help. The idea behind it is to bring out the reds within our skin tones, for all skin types. In the good old days of retouching by hand, many of us used to finish the print with a layer of reddish colored. This always brought the closing steps of those long tedious retouching personally steps together just perfectly. How do we do this? Simple. Around Photoshop go to Image/Adjustements/Selective Color. So as to the red channel would be the default chanel. This is the one you want so don't switch. Draw the top slider, Cyan, over to the left, and watch the colors, especially in your skin layer, warm up. Adjust it on your taste. We find that most photos are within the -20 to- 40 range. That's it! Assuming you have a good coverage and good white equilibrium, this is the only color "enhancing" you simply must do.Adjust the vividness: When I shoot I turn the cameras' sharpening, contrast plus saturation features off. I'm not going the camera doing any of these critical steps for me, since each image requires a different amount of money in order for it to be optimum. The photos that come off the camera have a tendency to look a little flat, lifeless and sometimes not sharp. But that's good! I get to adjust these types of myself. The saturation will prove to add a whole lot of life in your images, if done properly. Once more, less is more. Here's exactly how: In Photoshop go to Image/Adjustements/HueSaturation as well as pull the middle saturation slider to the right. It helps if you increase your image so you can genuinely see this effect and not exceed it. This works very well upon scenics and underwater images at the same time. But be careful not to over approach. Remember, less is more.Using up and Dodging: Over and over, I see it all the time. Using the right amount of excellent old fashioned burning or dodging and you will probably take your images so that you can whole new level. It isn't easy in order to master however. Way back when I started off in photography, my gurus and early instructors ended up being well versed and skilled inside the ways of this traditional software. They knew and valued the importance of an image that was appropriately worked. The rookie mistake I see over and over is either not using enough (or perhaps none at all), or applying too much. It takes some executing but this skill may be valued at mastering. Here's how: On the toolbar in Photoshop, click the dodge/burn tool. It has both. Using is by far the one you will use by far the most. When you select burn, this control bar across the top will allow you to set the comb options. These settings are vital to your success. First, opt for a soft brush. The size is dependent upon the area you are burning. When I am burning all around a perception, I generally choose a greater than the image area size. Following, choose Highlights in the range options. Next, bring your own exposure down, way as a result of about 20. Now you tend to be are ready to do the first step. Burn up all around a few times, and stop as soon as you notice a very slight darkening. Following, switch the Range to midtones.